Whose dystopia is it anyway? Deepfakes and social media regulation

Aya Yadlin-Segal, Yael Oppenheim

    Research output: Contribution to journalArticlepeer-review

    Abstract

    This study explores global journalistic discussions of deepfake applications (audiovisual manipulating applications based on artificial intelligence (AI)) to understand the narratives constructed through global coverage, the regulatory actions associated with these offered narratives, and the functions such narratives might serve in global sociopolitical contexts. Through a qualitative–interpretive narrative analysis, this article shows how journalists frame deepfakes as a destabilizing platform that undermines a shared sense of social and political reality, enables the abuse and harassment of women online, and blurs the acceptable dichotomy between real and fake. This phenomenon is tied to discussions of dis/misinformation, manipulation, exploitation, and polarization in the media ecosystem these days. Based on these findings, the article then provides broader practical and theoretical insights about AI content regulation and ethics, accountability, and responsibility in digital culture.

    Original languageEnglish
    Pages (from-to)36-51
    Number of pages16
    JournalConvergence
    Volume27
    Issue number1
    DOIs
    StatePublished - Feb 2021

    Bibliographical note

    Publisher Copyright:
    © The Author(s) 2020.

    Keywords

    • Artificial intelligence
    • deep learning
    • deepfake
    • dystopia
    • gender
    • internet policy
    • journalism
    • narrative analysis
    • news
    • social media regulation
    • thick data

    ASJC Scopus subject areas

    • Communication
    • Arts and Humanities (miscellaneous)

    Fingerprint

    Dive into the research topics of 'Whose dystopia is it anyway? Deepfakes and social media regulation'. Together they form a unique fingerprint.

    Cite this