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Two modes of political engagement in contemporary Israeli art photography
Amos Morris-Reich
Department of Jewish History
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peer-review
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Keyphrases
Political Participation
100%
Two-mode
100%
Israeli Art
100%
Art Photography
100%
Photographer
60%
Modes of Engagement
40%
Indirect Mode
40%
Politics
20%
Article Use
20%
Israeli
20%
Ambivalence
20%
Close Relationships
20%
Israeli-Palestinian Conflict
20%
First Intifada
20%
Political Education
20%
Engagement Methods
20%
Photojournalism
20%
Landscape Photography
20%
Historical Contextualization
20%
Direct Mode
20%
Sociology of Critique
20%
Fixed Expressions
20%
Arts and Humanities
Conception
100%
Engagement
100%
Israeli art
100%
1980s
66%
Modes of engagement
66%
Palestinians
33%
Contextualization
33%
viewer
33%
Artists
33%
photographer
33%
Intifada
33%
Close relationships
33%
Photojournalism
33%
landscape photography
33%
Fixed expressions
33%
art photographers
33%