Abstract
The phenomenon of play is evaluated as key theme in the Homeric Hymn to Hermes, where self-referential paradox is used as a passage way into play, game, and ritual. Hermes as hybrid, semi-divine God, embodies the metamessage 'this is play,' incessantly capitalizing on the chaotic ambiguity and generative power of play and paradox. Designing a sequence of paradoxes, Hermes moves processually along paradoxical contiunua to create a 'play reality,' trapping his opponents in a world of illusion, 'magic,' and movement and utlilizing the trajectory of his new creations to propel himself along the larger continuum of his own essential hybridity.
| Original language | English |
|---|---|
| Pages (from-to) | 35-69 |
| Number of pages | 35 |
| Journal | Semiotica |
| Volume | 158 |
| DOIs | |
| State | Published - 2006 |
| Externally published | Yes |
ASJC Scopus subject areas
- Language and Linguistics
- Linguistics and Language
- Literature and Literary Theory
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