The cinematic point of view: Thinking film with Merleau-Ponty

Orna Raviv

Research output: Contribution to journalArticlepeer-review

Abstract

Previously unpublished fragments of Merleau-Ponty's insights about cinema have added an important layer to our understanding of the medium. In this paper I examine these fragments along with some of Merleau-Ponty's other observations about cinema, in the context of his work on perception and temporality. My aim is to show how his thought is relevant for understanding an important topic in film theory: cinematic point of view. With Merleau-Ponty's phenomenological articulation of what it is to see, the possibility opens up of conceptualizing the structure of cinematic point of view as a "whole" that is concomitantly dynamic and always plural.

Original languageEnglish
Pages (from-to)163-183
Number of pages21
JournalStudia Phaenomenologica
Volume16
DOIs
StatePublished - 2016
Externally publishedYes

Keywords

  • Matisse
  • Merleau-Ponty
  • Phenomenology
  • Point of view
  • Temporality
  • Vision

ASJC Scopus subject areas

  • Philosophy

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