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Reading between the tesserae: The Tabgha mosaics’ stages, patronage, and authenticity re-examined

  • Neta Debora Haggai Aranyi

Research output: Contribution to journalArticlepeer-review

Abstract

The Tabgha mosaics, adorning the floor of a basilica dated between the 5th and 7th centuries near the Sea of Galilee, have been a frequent subject of scholarly discourse. Nevertheless, many unsettled issues surrounding the pavements, such as palaeographic differences in inscriptions commemorating their patrons, unidentified Byzantine-repaired mosaic sections, and modern restorations, have yet to be investigated. These unexplored matters render the stages and authenticity of the Tabgha mosaic insufficiently established. This study examines the phases of the Tabgha pavements during the Byzantine period through an in-depth analysis of their stylistic features while considering the modern repairs. The author concludes that significant evidence was removed from the floors during an early 20th century restoration. By carefully ‘reading’ between the tesserae of the Tabgha mosaics, this study illuminates small and scarcely noticeable details that make it possible to distinguish three Byzantine mosaic stages and to evaluate the individual contributions of the patrons to the pavements.

Original languageEnglish
Pages (from-to)48-70
Number of pages23
JournalPalestine Exploration Quarterly
Volume158
Issue number1
DOIs
StatePublished - 2026

Bibliographical note

Publisher Copyright:
© 2024 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.

Keywords

  • Byzantine Galilee
  • Byzantine inscription
  • Byzantine mosaics
  • Byzantine patrons
  • Byzantine restoration
  • Church of the Multiplication of the Loaves and Fishes
  • Ein et-Tabgha
  • Tabgha

ASJC Scopus subject areas

  • Archaeology
  • History
  • Visual Arts and Performing Arts
  • Religious studies
  • Archaeology

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