Queering Militarism in Israeli Photography

This article, Queering Militarism in Israeli Photography, examines Adi Nes's Soldiers series, a body of work that interrogates the intersections of queerness, militarism, and nationalism within Israeli society. By employing a distinctive "military circus" aesthetic, Nes challenges the rigid heteronormative and hyper-masculine archetypes embedded in Israeli military identity. His staged photographs depict soldiers in circus-inspired performative poses, blending military discipline with elements of the carnivalesque to subvert conventional representations of military masculinity. This approach creates spaces where queerness, vulnerability, and fluid identity defy the rigid confines of nationalist narratives. Using queer studies frameworks, performance theory, and postcolonial critique, this article analyzes Nes's depiction of soldiers as both military subjects and circus performers, examining how these representations disrupt the "naturalness" of gender, power, and identity within the Israeli national ethos. Through a close reading of key images-such as the fire-breathing soldier, the acrobat on a tightrope, and the strongman figure-this article argues that Nes critiques homonationalism and exposes the co-optation of LGBTQ+ identities into militaristic frameworks. His images juxtapose exaggerated masculinity with homoerotic and introspective vulnerability, positioning the queer body as both a participant in and a subverter of the national narrative. Drawing on contemporary queer theory-including Jos & eacute; Esteban Mu & ntilde;oz's concept of "disidentification", Eve Kosofsky Sedgwick's theories of queer shame and performativity, and perspectives on temporality, failure, and counterpublics following Elizabeth Freeman, Jack Halberstam, Michael Warner, and Sara Ahmed-this article frames queerness as an active site of resistance and creative transformation within the Israeli military complex. The analysis reveals how Nes's work disrupts Zionist masculinities and traditional militaristic structures through a hybrid aesthetic of military and circus life. By reimagining Israeli identity as an inclusive, multi-dimensional construct, Nes expands queer possibilities beyond heteronormative confines and homonationalist alignments. This merging of critical queer perspectives-from the destabilizing of discipline and shame to the public visibility of non-normative bodies-posits that queer identities can permeate and reshape state power itself, challenging not only the norms of militaristic nationalism but also the boundaries of Israeli selfhood.