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Pop, piety and modernity: The changing spaces of orthodox culture
Abigail Wood
Department of Music
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Chapter in Book/Report/Conference proceeding
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peer-review
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Keyphrases
Jewish
100%
Popular
100%
Modernity
100%
Orthodox Culture
100%
Piety
100%
Changing Space
100%
Jewish music
100%
Yiddish Language
50%
Germany
50%
Jews
50%
Self-identification
50%
Heavy Use
50%
English Language
50%
Religious Norms
50%
Material Culture
50%
Religious Values
50%
Soundscape
50%
Mid-twentieth Century
50%
Techno
50%
Diaspora
50%
Eurovision
50%
Orthodox Community
50%
American Jews
50%
Sell-out
50%
Musical Material
50%
Online Retailer
50%
Synthesizer
50%
Musical Features
50%
Jewish Orthodoxy
50%
Bookshops
50%
Innovative Work
50%
Transnational Publics
50%
Judaica
50%
Community Boundaries
50%
LipA
50%
Magazine Advertisement
50%
Musical Language
50%
Klezmer
50%
Folk Rock
50%
Production Companies
50%
Religious music
50%
Soft Rock
50%
Arts and Humanities
Orthodox
100%
Piety
100%
Genre
57%
Judaism
42%
Contemporary
28%
Popular
28%
Jewish music
28%
Tradition
14%
Twentieth Century
14%
Poetry
14%
Online
14%
Style
14%
Jews
14%
Reform
14%
Spiritual
14%
Periodicals
14%
Material Culture
14%
Transnational
14%
Soundscape
14%
Orthodoxy
14%
1950s
14%
Germany
14%
Vocal Music
14%
1960s
14%
Techno
14%
venues
14%
Melody
14%
Surprise
14%
Klezmer
14%
house-hold name
14%
Orchestration
14%
Production Company
14%
Retailers
14%
Religious Music
14%
musical language
14%
Chorus
14%
musical material
14%
Folk
14%
Bookselling
14%
Musical Features
14%