“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance

This article examines the utilization of concrete as a medium for artistic expression in the art produced by contemporary Palestinian artists residing in the State of Israel. The author proposes that when considered through Eyal Weizman’s lens of "politics in matter," concrete emerges in contemporary Palestinian art as a significant material intersecting with the broader political fabric, an artistic medium intricately linked to the ongoing struggle for Palestinian identity, nationalism, and human rights. Within the geopolitical context of Israel/Palestine, concrete thus gives rise to multifaceted associations of struggle, violence, defense, and fear. Contemporary Palestinian artists actively engage with concrete, repurposing it as a tool for artistic, civic, and political resistance. They challenge dominant narratives, contest prevailing historical accounts, and confront oppressive structures. Their works reimagine shared spaces, contest the erasure of Palestinian history, and amplify marginalized voices. Concrete becomes a material embodiment of the complexities experienced by Palestinian artists residing and working within the State of Israel, its finally symbolizing resistance and catalyzing the reimagining of alternative futures. This article provides a comprehensive analysis of how concrete is employed and represented within contemporary Palestinian artistic practices, shedding light on its role in shaping Palestinian experiences and contributing to a nuanced understanding of the Palestinian/Israeli context. By exploring the politics of concrete, the article enhances our understanding of its significance in contemporary Palestinian art and its place in the broader discourse of art history.