Abstract
In Mediterranean Israeli Music and the Politics of the Aesthetic, Amy Horowitz explores the popular Israeli pan-ethnic style musiqa mizrahit, from its emergence among Middle Eastern and North African Jewish immigrant communities in the 1970s to its broad acceptance in Israeli society by the mid-1990s. While several articles and book chapters on this repertory have appeared over the last two decades, this is the first English-language monograph exploring the genre; the extended format of the discussion allows Horowitz space to unpick the complexity of the social relations in which this scene is embedded.
| Original language | English |
|---|---|
| Pages (from-to) | 256-258 |
| Number of pages | 3 |
| Journal | Ethnomusicology Forum |
| Volume | 22 |
| Issue number | 2 |
| DOIs | |
| State | Published - 2013 |