Abstract
During the past twenty years, questions of musical mobility and hybridity have received much attention in ethnomusicology. Toynbee and Dueck's recent volume Migrating Music is one of the latest interventions on this topic, seeking to affirm ‘the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it’ (i).
The book has its origins in a 2009 conference of the same name, which took place at SOAS, University of London.
The book has its origins in a 2009 conference of the same name, which took place at SOAS, University of London.
Original language | English |
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Pages (from-to) | 163–166 |
Journal | Twentieth-Century Music |
Volume | 10 |
Issue number | 1 |
DOIs | |
State | Published - 2013 |