Erratum: Modalities of assimilation: Subcultural currents in felix mendelssohn's Lieder Ohne Worte (Nineteenth-Century Music Review (2021) (1-28) DOI: 10.1017/S1479409821000409)

DOI: https://doi.org/10.1017/S1479409821000409, Published online by Cambridge University Press: 13 December 2021 The original article was published with an incorrect first sentence in the abstract. The first sentence read: 'In this article I examine the impact on Felix Mendelssohn's music, as reflected in his Lieder ohne Worte (Songs without Words), of his affiliation with a German-Jewish subculture.' This has been corrected on the original article to: 'In this article I examine the impact of Felix Mendelssohn's affiliation with a German-Jewish subculture on his music as reflected in the Lieder ohne Worte (Songs without Words) for piano solo.' The publisher apologises for this error.