Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

Emanuel Berman; Timna Rosenheimer; Michal Aviad

doi:10.4324/9780203013915

Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

Emanuel Berman, Timna Rosenheimer, Michal Aviad

Department of Psychology

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Original language	English
Title of host publication	The Couch and the Silver Screen
Subtitle of host publication	Psychoanalytic Reflections on European Cinema
Publisher	Brunner-Routledge Taylor & Francis Group
Pages	213-231
Number of pages	19
ISBN (Print)	0203357205, 9780203013915
DOIs	https://doi.org/10.4324/9780203013915
State	Published - 29 May 2003

ASJC Scopus subject areas

General Psychology

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10.4324/9780203013915

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Berman, E., Rosenheimer, T., & Aviad, M. (2003). Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). In The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema (pp. 213-231). Brunner-Routledge Taylor & Francis Group. https://doi.org/10.4324/9780203013915

Berman, Emanuel ; Rosenheimer, Timna ; Aviad, Michal. / Documentary directors and their protagonists : A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. Brunner-Routledge Taylor & Francis Group, 2003. pp. 213-231

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Berman, E, Rosenheimer, T & Aviad, M 2003, Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). in The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. Brunner-Routledge Taylor & Francis Group, pp. 213-231. https://doi.org/10.4324/9780203013915

Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). / Berman, Emanuel; Rosenheimer, Timna; Aviad, Michal.
The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. Brunner-Routledge Taylor & Francis Group, 2003. p. 213-231.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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Berman E, Rosenheimer T, Aviad M. Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). In The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. Brunner-Routledge Taylor & Francis Group. 2003. p. 213-231 doi: 10.4324/9780203013915

Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

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