Abstract
This chapter shows how the use and remembrance of al-Andalus in Arabic poetry can be tellingly examined by placing it within a developmental historical context. For the Arab poet the image of al-Andalus has long resonated along two intertwined tracks, and continues to do so. One of the prominent poets who frequently called up the image of al-Andalus in his poetry was Ahmad Shawqi, the “prince of poets” in the first quarter of the twentieth century. The image of al-Andalus in neoclassical Arabic poetry finds typifying expression in Ahmad Shawqi’s Andalusian poems, abounding as these do in sensuous descriptions of the Muslim Spanish heritage. As a mythical figure, Federico Garcia Lorca has inspired them to search the rich Andalusian Arabic heritage for connections between past and present that could serve as links in the cross-temporal and contextual chain asserted in and by their own collective and cultural memory.
| Original language | English |
|---|---|
| Title of host publication | Charting Memory |
| Subtitle of host publication | Recalling Medieval Spain |
| Publisher | Taylor and Francis |
| Pages | 263-293 |
| Number of pages | 31 |
| ISBN (Electronic) | 9781135682507 |
| ISBN (Print) | 9780815333258 |
| DOIs | |
| State | Published - 2000 |
Bibliographical note
Publisher Copyright:© 2000 by Stacy N. Beckwith.
ASJC Scopus subject areas
- General Social Sciences
- General Arts and Humanities
Fingerprint
Dive into the research topics of '“Al-Andalus arising from damascus”: Al-Andalus in modern arabic poetry'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver