Abstract
This article explores the mechanisms by which Ha-Matateh, a satirical theater company, created a sense of well-being among its audiences during a time of crisis in prestate Israel. The article focuses on a revue by Ha-Matateh, Ḥayim and Saadiah Are Going to the City, which premiered in May 1939. This production referenced the stressful reality of the time: extreme antisemitism sweeping across Europe, diplomats feverishly trying to prevent another war, and a new White Paper issued by the British government jeopardizing the establishment of a Jewish state in Palestine. This article shows how this stage presentation transformed the fears and anxieties that dominated the real world into humorous expressions of pleasure, social engagement, success, and a sense of security.
| Original language | English |
|---|---|
| Pages (from-to) | 154-173 |
| Number of pages | 20 |
| Journal | AJS Review |
| Volume | 49 |
| Issue number | 1 |
| DOIs | |
| State | Published - Apr 2025 |
Bibliographical note
Publisher Copyright:© Association for Jewish Studies 2025.
ASJC Scopus subject areas
- Cultural Studies
- History
- Religious studies
- Literature and Literary Theory